In Sarah Sze’s new paintings, scaled to Victoria Miro’s Gallery II space, the artist incorporates a wealth of painted and collaged elements and traces of multiple image-making mediums, laying bare the narrative of the studio and the developmental arcs that occur within and between the works. In recent years the American artist has returned to painting, the medium in which she first trained. These new wall-based works continue the artist’s decades-long exploration of the ways in which the proliferation of images – printed in magazines and newspapers, gleaned from the Web and television, intercepted from outer space, and ultimately imprinted on our conscious and unconscious selves – fundamentally changes our relationship to physical objects, memories, and time.

Sze’s concept of the image in constant generation, evolution and degradation is highlighted in this exhibition. The paintings are conceived in pairs, revealing two stages of a related image. How images are produced, collected, appropriated and developed to create other images, and how, at the same time, they degrade, or are held, stored or transmitted at different resolutions, is a conceptual starting point. The works converse across the gallery – each registering as a stage in the life of a painting, a summation of thoughts, impulses and decisions of a work’s creation up to that point. Collaged and painted elements repeated, mirrored or flipped back and forth between the pairs of works, along with certain compositional devices and thematic strategies, serve to impress upon us a family resemblance, while a traditional understanding of lineage – the idea of beginning and conclusion, original and copy, or of one work preceding or succeeding another sequentially – is deliberately suspended in favour of a sense of continual cross-pollination. As the artist says, ‘I see both painting and sculpture through the lens of collage and look for a state in which a work is both becoming and degrading before you. I’m trying to find that moment that feels volatile or live.’

About the artist

Born in Boston, Massachusetts in 1969, Sarah Sze lives and works in New York. Sze represented the United States at the Venice Biennale in 2013 and was awarded a MacArthur Fellowship in 2003. The artist has exhibited in museums worldwide, and her works are held in the permanent collections of prominent institutions, including Tate, UK; M+ Museum, Hong Kong; MUDAM, Luxembourg; The Museum of Modern Art, New York; Museum of Contemporary Art, Chicago; the Guggenheim Museum, New York; the Whitney Museum of American Art, New York; and the Museum of Contemporary Art, Los Angeles. Sze has also created public works for the High Line in New York, the city’s Second Avenue Subway Station, and the new LaGuardia Airport.

This summer (opened 26 June 2021) Sarah Sze: Fallen Sky, a permanent, site-specific sculpture and exhibition featuring the panoramic work Fifth Season, opened at Storm King Art Center, New Windsor, NY. Other current institutional exhibitions include On the Basis of Art: 150 Years of Women at Yale, a group exhibition (10 September 2021–9 January 2022) at Yale University Art Gallery, New Haven, CT. Sze’s installation Seamless, 1999, is on view at Tate Modern until October 2022. In 2023, Sze’s work will be featured in a solo exhibition at the Solomon R. Guggenheim Museum in New York.