New paintings completed recently in London are a continuation of the themes and discoveries that preoccupied the artist during her residency. Each is based on a detail of a fresco by Tiepolo, in Venice as well as other cities. Pizzicato, 2020, is inspired by The Apotheosis of the Pisani Family in  the Villa Pisani, Stra.

The artist titled these smaller works after musical directions rather than types of musical pieces. She says, ‘In music Pizzicato is when the musician plucks at the strings, which felt appropriately bouncy. I liked the sense of the eye jumping across space.’

For the artist, working from reproductions provided a shift in focus and intensity – of colour palette especially. She explains, ‘With these, I brought colour back with quite a lot of intensity. I think reproductions idealise the colours to some degree and I have exaggerated it further. These works are about departing from the figurative source and arriving at a more gestural, abstract new place, where marks and colour can stand in for the attitude of the original painting but with more ambiguity and maybe more openness. I made studies first and then worked from the study as much as possible to get more separation from the figuration and focus on the paint and mark making. I think they still retain a sense of illusionary space and some of the feeling of the escapism that Tiepolo’s work has.’